contour line effect

contour line effect applied to the studio's source frame — beforecontour line effect applied to the studio's source frame — afterSourceEffect

01/ ORIGIN

Contour lines came from hydrography before they reached dry land: Dutch surveyors were drawing lines of equal depth on harbour charts by the seventeenth century, because a captain needs to know where the bottom is. Applying the same idea to elevation followed, and by the nineteenth century national surveys had standardised the convention. It works because a line of constant value tells you the shape of a surface without describing any point on it.

02/ SWEEP

LEVELS sweep

LEVELS 6: few bands, only the largest tonal shifts traced
LEVELS 6LEVELS 6: few bands, only the largest tonal shifts traced
LEVELS 12: the default, contours dense enough to model the form
LEVELS 12LEVELS 12: the default, contours dense enough to model the form
LEVELS 40: bands everywhere, the face buried in its own survey
LEVELS 40LEVELS 40: bands everywhere, the face buried in its own survey

03/ SPEC

This effect slices the image into bands of equal brightness and draws a line at every boundary, which is topographic contouring applied to tone rather than to elevation. LEVELS runs from 6 to 40 with a default of 12 and sets how many bands the range is cut into, so it directly controls line density. WARP from 0 to 10 displaces the bands before they are traced, which breaks the mechanical regularity that makes a plain threshold look like a chart. LINE WIDTH sets stroke weight from 0.02 to 1. In kott the lines are generated per pixel, so they stay hairline at export size.

LEVELS6 to 40 · default 12
WARP0 to 10 · default 3
LINE WIDTH0.02 to 1 · default 0.4

04/ FAQ

What is a contour line effect?
A contour line effect draws a line wherever image brightness crosses a fixed step, producing the concentric bands of a topographic map. It describes shape through lines of constant value.
What LEVELS value should I use for contours?
The default of 12 keeps the form readable. Below 8 only the largest tonal shifts get traced, and above about 30 the lines crowd together and the subject disappears into them.
Why does WARP matter for a contour effect?
Without it, contours follow tone exactly and read as a machine-generated chart. WARP displaces the bands slightly so the lines look drawn rather than computed.